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Best chuck klosterman

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Chuck Klosterman X: A Highly Specific, Defiantly Incomplete History of the Early 21st Century Chuck Klosterman X: A Highly Specific, Defiantly Incomplete History of the Early 21st Century
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But What If We're Wrong?: Thinking About the Present As If It Were the Past But What If We're Wrong?: Thinking About the Present As If It Were the Past
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HYPERtheticals: 50 Questions for Insane Conversations HYPERtheticals: 50 Questions for Insane Conversations
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Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto
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I Wear the Black Hat: Grappling with Villains (Real and Imagined) I Wear the Black Hat: Grappling with Villains (Real and Imagined)
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Killing Yourself to Live: 85% of a True Story Killing Yourself to Live: 85% of a True Story
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Eating the Dinosaur Eating the Dinosaur
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Fargo Rock City: A Heavy Metal Odyssey in Rural North Dakota Fargo Rock City: A Heavy Metal Odyssey in Rural North Dakota
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The Visible Man: A Novel The Visible Man: A Novel
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Shut Up And Play the Hits Shut Up And Play the Hits
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1. Chuck Klosterman X: A Highly Specific, Defiantly Incomplete History of the Early 21st Century

Description

New York Times-bestselling author and cultural critic Chuck Klosterman sorts through the past decade and how we got to now.

Chuck Klosterman has created an incomparable body of work in books, magazines, newspapers, and on the Web. His writing spans the realms of culture and sports, while also addressing interpersonal issues, social quandaries, and ethical boundaries. Klosterman has written nine previous books, helped found and establish Grantland, served as the New York Times MagazineEthicist, worked on film and television productions, and contributed profiles and essays to outlets such asGQ, Esquire,Billboard, The A.V. Club, andThe Guardian.

Chuck Klosterman's tenth book (akaChuck Klosterman X) collects his most intriguing of those pieces, accompanied by fresh introductions and new footnotes throughout. Klosterman presents many of the articles in their original form, featuring previously unpublished passages and digressions. Subjects include Breaking Bad, Lou Reed, zombies, KISS, Jimmy Page, Stephen Malkmus, steroids, Mountain Dew, Chinese Democracy, The Beatles, Jonathan Franzen, Taylor Swift, Tim Tebow, Kobe Bryant, Usain Bolt, Eddie Van Halen, Charlie Brown, the Cleveland Browns, and many more cultural figures and pop phenomena. This is a tour of the past decade from one of the sharpest and most prolific observers of our unusual times.

2. But What If We're Wrong?: Thinking About the Present As If It Were the Past

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BLUE RIDER

Description

The tremendously well-received New York Times bestseller by cultural critic Chuck Klosterman, exploring the possibility that our currently held beliefs and assumptions about the world will eventually be proven wrong -- now in paperback.

But What If We're Wrong? is a book of original, reported, interconnected pieces, which speculate on the likelihood that many universally accepted, deeply ingrained cultural and scientific beliefs will someday seem absurd. Covering a spectrum of objective and subjective topics, the book attempts to visualize present-day society the way it will be viewed in a distant future. Klosterman cites original interviews with a wide variety of thinkers and experts -- including George Saunders, David Byrne, Jonathan Lethem, Alex Ross, Kathryn Schulz, Neil deGrasse Tyson, Brian Greene, Junot Daz, Amanda Petrusich, Ryan Adams, Dan Carlin, Nick Bostrom, and Richard Linklater. Klosterman asks straightforward questions that are profound in their simplicity, and the answers he explores and integrates with his own analysis generate the most thought-provoking and propulsive book of his career.

3. HYPERtheticals: 50 Questions for Insane Conversations

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Hypertheticals: 50 Questions for Insane Conversations

Description

You are in an unfortunate situation in which you are forced to consider cannibalism in order to stay alive. WOULD YOU RATHER EAT BABIES OR ELDERLY PEOPLE?

You are offered a Brain Pill that will make you feel 10 percent more intelligent, but you will seem 20 percent less intelligent to everyone else. DO YOU TAKE THE PILL?

SUPPOSE YOU WAKE UP INHABITING BRUCE SPRINGSTEIN'S BODY. Your voice sounds just like Bruce's, but your musical ability is still entirely your own. You are scheduled to perform in a huge concert that night. WHAT DO YOU DO?

How would your mother answer these questions? Your best friend? Your significant other? PREPARE YOURSELF FOR SOME INSANE CONVERSATIONS.

4. Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

Feature

Scribner

Description

Over half a million copies sold!
From the author of the highly acclaimed heavy metal memoir, Fargo Rock City, comes another hilarious and discerning take on massively popular cultureset in Chuck Klostermans den and your owncovering everything from the effect of John Cusack flicks to the crucial role of breakfast cereal to the awesome power of the Dixie Chicks.

Countless writers and artists have spoken for a generation, but no one has done it quite like Chuck Klosterman. With an exhaustive knowledge of popular culture and an almost effortless ability to spin brilliant prose out of unlikely subject matter, Klosterman attacks the entire spectrum of postmodern America: reality TV, Internet porn, Pamela Anderson, literary Jesus freaks, and the real difference between apples and oranges (of which there is none). And dont even get him started on his love life and the whole Harry-Met-Sally situation.

Whether deconstructing Saved by the Bell episodes or the artistic legacy of Billy Joel, the symbolic importance of The Empire Strikes Back or the Celtics/Lakers rivalry, Chuck will make you think, hell make you laugh, and hell drive you insaneusually all at once. Sex, Drugs, and Cocoa Puffs is ostensibly about art, entertainment, infotainment, sports, politics, and kittens, butreallyits about us. All of us. As Klosterman realizes late at night, in the moment before he falls asleep, In and of itself, nothing really matters. What matters is that nothing is ever in and of itself. Read to believe.

5. I Wear the Black Hat: Grappling with Villains (Real and Imagined)

Feature

Scribner Book Company

Description

One-of-a-kind cultural critic and New York Times bestselling author Chuck Klosterman offers up great facts, interesting cultural insights, and thought-provoking moral calculations in this look at our love affair with the anti-hero (New York magazine).

Chuck Klosterman, The Ethicist for The New York Times Magazine, has walked into the darkness. In I Wear the Black Hat, he questions the modern understanding of villainy. When we classify someone as a bad person, what are we really saying, and why are we so obsessed with saying it? How does the culture of malevolence operate? What was so Machiavellian about Machiavelli? Why dont we see Bernhard Goetz the same way we see Batman? Who is more worthy of our vitriolBill Clinton or Don Henley? What was O.J. Simpsons second-worst decision? And why is Klosterman still haunted by some kid he knew for one week in 1985?

Masterfully blending cultural analysis with self-interrogation and imaginative hypotheticals, I Wear the Black Hat delivers perceptive observations on the complexity of the antihero (seemingly the only kind of hero America still creates). As the Los Angeles Times notes: By underscoring the contradictory, often knee-jerk ways we encounter the heroes and villains of our culture, Klosterman illustrates the passionate but incomplete computations that have come to define American cultureand maybe even American morality. I Wear the Black Hat is a rare example of serious criticism thats instantly accessible and really, really funny.

6. Killing Yourself to Live: 85% of a True Story

Description

Building on the national bestselling success of Sex, Drugs, and Cocoa Puffs, preeminent pop culture writer Chuck Klosterman unleashes his best book yetthe story of his cross-country tour of sites where rock stars have died and his search for love, excitement, and the meaning of death.

For 6,557 miles, Chuck Klosterman thought about dying. He drove a rental car from New York to Rhode Island to Georgia to Mississippi to Iowa to Minneapolis to Fargo to Seattle, and he chased death and rock n roll all the way. Within the span of twenty-one days, Chuck had three relationships endone by choice, one by chance, and one by exhaustion. He snorted cocaine in a graveyard. He walked a half-mile through a bean field. A man in Dickinson, North Dakota, explained to him why we have fewer windmills than we used to. He listened to the KISS solo albums and the Rod Stewart box set. At one point, poisonous snakes became involved. The road is hard. From the Chelsea Hotel to the swampland where Lynyrd Skynyrds plane went down to the site where Kurt Cobain blew his head off, Chuck explored every brand of rock star demise. He wanted to know why the greatest career move any musician can make is to stop breathing...and what this means for the rest of us.

7. Eating the Dinosaur

Feature

Scribner Book Company

Description

After a bestselling and acclaimed diversion into fiction, Chuck Klosterman, author of Sex, Drugs, and Cocoa Puffs, returns to the form in which hes been spectacularly successful with a collection of essays about our consumption of pop culture and sports.

Q: What is this book about?

A: Well, thats difficult to say. I havent read it yetIve just picked it up and casually glanced at the back cover. There clearly isnt a plot. Ive heard theres a lot of stuff about time travel in this book, and quite a bit about violence and Garth Brooks and why Germans dont laugh when theyre inside grocery stores. Ralph Nader and Ralph Sampson play significant roles. I think there are several pages about Rear Window and college football and Mad Men and why Rivers Cuomo prefers having sex with Asian women. Supposedly theres a chapter outlining all the things the Unabomber was right about, but perhaps Im misinformed.

Q: Is there a larger theme?

A: Oh, something about reality. What is reality, maybe? No, thats not it. Not exactly. I get the sense that most of the core questions dwell on the way media perception constructs a fake reality that ends up becoming more meaningful than whatever actually happened. Also, Lady Gaga.

Q: Should I read this book?

A: Probably. Do you see a clear relationship between the Branch Davidian disaster and the recording of Nirvanas In Utero? Does Barack Obama make you want to drink Pepsi? Does ABBA remind you of AC/DC? If so, you probably dont need to read this book. You probably wrote this book. But I suspect everybody else will totally love it, except for the ones who totally hate it.

8. Fargo Rock City: A Heavy Metal Odyssey in Rural North Dakota

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Used Book in Good Condition

Description

Empirically proving thatno matter where you arekids wanna rock, this is Chuck Klosterman's hilrious memoir of growing up as a shameless metalhead in Wyndmere, North Dakotoa (population: 498).

With a voice like Ace Frehley's guitar, Klosterman hacks his way through hair-band history, beginning with that fateful day in 1983 when his older brother brought home Mtley Cre's Shout at the Devil. The fifth-grade Chuck wasn't quite ready to rockhis hair was too short and his farm was too quietbut he still found a way to bang his nappy little head. Before the journey was over, he would slow-dance to Poison, sleep innocently beneath satanic pentagrams, lust for Lita Ford, and get ridiculously intellectual about Guns N' Roses. C'mon and feel his noize.

9. The Visible Man: A Novel

Feature

Scribner Book Company

Description

New York Times bestselling author of Sex, Drugs, and Cocoa Puffs and Downtown Owl, the Ethicist of the New York Times Magazine, Chuck Klosterman returns to fiction with his second novelan imaginative page-turner about a therapist and her unusual patient, a man who can render himself invisible.

Therapist Victoria Vick is contacted by a cryptic, unlikable man who insists his situation is unique and unfathomable. As he slowly reveals himself, Vick becomes convinced that he suffers from a complex set of delusions: Y__, as she refers to him, claims to be a scientist who has stolen cloaking technology from an aborted government project in order to render himself nearly invisible. He says he uses this ability to observe random individuals within their daily lives, usually when they are alone and vulnerable. Unsure of his motives or honesty, Vick becomes obsessed with her patient and the disclosure of his increasingly bizarre and disturbing tales. Over time, it threatens her career, her marriage, and her own identity.

Interspersed with notes, correspondence, and transcriptions that catalog a relationship based on curiosity and fear, The Visible Man touches on all of Chuck Klostermans favorite themesthe consequence of culture, the influence of media, the complexity of voyeurism, and the existential contradiction of normalcy. Is this comedy, criticism, or horror? Not even Y__ seems to know for sure.

10. Shut Up And Play the Hits

Conclusion

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