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Best noir western

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The Noir Western: Darkness on the Range 1943-1962 The Noir Western: Darkness on the Range 1943-1962
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The Philosophy of Film Noir (Philosophy Of Popular Culture) The Philosophy of Film Noir (Philosophy Of Popular Culture)
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American Noir: 11 Classic Crime Novels of the 1930s, 40s, & 50s: A Library of America Boxed Set American Noir: 11 Classic Crime Novels of the 1930s, 40s, & 50s: A Library of America Boxed Set
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1. The Noir Western: Darkness on the Range 1943-1962

Description

Beginning in the mid-1940s, the bleak, brooding mood of film noir began seeping into that most optimistic of film genres, the western. Story lines took on a darker tone and western films adopted classic noir elements of moral ambiguity, complex anti-heroes and explicit violence. The noir western helped set the standard for the darker science fiction, action and superhero films of today, as well as for acclaimed TV series such as HBO's Deadwood and AMC's Breaking Bad. This book covers the stylistic shift in westerns in mid-20th century Hollywood, offering close readings of the first noir westerns, along with revealing portraits of the eccentric and talented directors who brought the films to life.

2. The Philosophy of Film Noir (Philosophy Of Popular Culture)

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Used Book in Good Condition

Description

A drifter with no name and no past, driven purely by desire, is convinced by a beautiful woman to murder her husband. A hard-drinking detective down on his luck becomes involved with a gang of criminals in pursuit of a priceless artifact. The stories are at once romantic, pessimistic, filled with anxiety and a sense of alienation, and they define the essence of film noir. Noir emerged as a prominent American film genre in the early 1940s, distinguishable by its use of unusual lighting, sinister plots, mysterious characters, and dark themes. From The Maltese Falcon (1941) to Touch of Evil (1958), films from this classic period reflect an atmosphere of corruption and social decay that attracted such accomplished directors as John Huston, Alfred Hitchcock, Billy Wilder, and Orson Welles. The Philosophy of Film Noir is the first volume to focus exclusively on the philosophical underpinnings of these iconic films. Drawing on the work of diverse thinkers, from the French existentialist Albert Camus to the Frankurt school theorists Max Horkheimer and Theodor Adorno, the volume connects film noir to the philosophical questions of a modern, often nihilistic, world. Opening with an examination of what constitutes noir cinema, the book interprets the philosophical elements consistently present in the filmsthemes such as moral ambiguity, reason versus passion, and pessimism. The contributors to the volume also argue that the essence and elements of noir have fundamentally influenced movies outside of the traditional noir period. Neo-noir films such as Pulp Fiction (1994), Fight Club (1999), and Memento (2000) have reintroduced the genre to a contemporary audience. As they assess the concepts present in individual films, the contributors also illuminate and explore the philosophical themes that surface in popular culture. A close examination of one of the most significant artistic movements of the twentieth century, The Philosophy of Film Noir reinvigorates an intellectual discussion at the intersection of popular culture and philosophy.

3. American Noir: 11 Classic Crime Novels of the 1930s, 40s, & 50s: A Library of America Boxed Set

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LIBRARY OF AMERICA

Description

Collects:
CRIME NOVELS: AMERICAN NOIR OF THE 1930s & 40s
The Postman Always Rings Twice by James M. Cain
They Shoot Horses, Dont They? by Horace McCoy
Thieves Like Us by Edward Anderson
The Big Clock by Kenneth Fearing
Nightmare Alley by William Lindsay Gresham
I Married a Dead Man by Cornell Woolrich

990 pages 978-1-883011-46-8 Library of America volume #94

CRIME NOVELS: AMERICAN NOIR OF THE 1950s
The Killer Inside Me by Jim Thompson
The Talented Mr. Ripley by Patricia Highsmith
Pick-Up by Charles Willeford
Down There by David Goodis
The Real Cool Killers by Chester Himes

892 pages 978-1-883011-49-9 Library of America volume #95

This adventurous two-volume collection presents a rich vein of modern American writing too often neglected in mainstream literary histories. Evolving out of the terse and violent hardboiled style of the pulp magazines, noir fiction expanded over the decades into a varied and innovative body of writing. Tapping deep roots in the American literary imagination, the novels in this volume explore themes of crime, guilt, deception, obsessive passion, murder, and the disintegrating psyche. With visionary and often subversive force they create a dark and violent mythology out of the most commonplace elements of modern life. The raw power of their vernacular style has profoundly influenced contemporary American culture and writing.

LIBRARY OF AMERICAis an independent nonprofit cultural organization founded in 1979 to preserve our nations literary heritage by publishing, and keeping permanently in print, Americas best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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Jill Rose