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Best cherry orchard richard nelson

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The Cherry Orchard (TCG Classic Russian Drama Series) The Cherry Orchard (TCG Classic Russian Drama Series)
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The Cherry Orchard The Cherry Orchard
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1. The Cherry Orchard (TCG Classic Russian Drama Series)

Feature

Theatre Communications Group

Description

"Pevear and Volokhonsky are at once scrupulous translators and vivid stylists of English."The New Yorker

There have always been two versions of Chekhovs heartrending and humorous masterwork: the one with which we are all familiar, staged by Konstatine Stanislavski at the Moscow Art Theatre in 1904, and the one Chekhov had originally envisioned. Now, for the first time, both are available and published here in a single volume in translations by the renowned playwright Richard Nelson and Richard Peavar and Larissa Volokhonsky, the foremost contemporary translators of classic Russian literature. Shedding new light on this most revered play, the translators reconstructed the script Chekhov first submitted and all of the changes he made prior to rehearsal. The result is a major event in the publishing of Chekhovs canon.

Richard Nelson's many plays include Rodney's Wife, Goodnight Children Everywhere, Drama Desk-nominated Franny's Way and Some Americans Abroad, Tony Award-nominated Two Shakespearean Actors and James Joyce's The Dead (with Shaun Davey), for which he won a Tony Award for Best Book of a Musical, and the critically acclaimed, searing play cycle, The Apple Family Plays.

Richard Pevear and Larissa Volokhonsky have produced acclaimed translations of Leo Tolstoy, Fyodor Dostoevsky, Nikolai Gogol, Anton Chekhov, and Mikhail Bulgakov. Their translations of The Brothers Karamazov and Anna Karenina won the 1991 and 2002 PEN/Book-of-the-Month Club Translation Prizes. Pevvear, a native of Boston, and Volokhonsjky, of St. Petersburg, are married to each other and live in Paris.

2. The Cherry Orchard

Description

The Cherry Orchard is the last play by Russian playwright Anton Chekhov. It opened at the Moscow Art Theatre on 17 January 1904 in a production directed by Constantin Stanislavski. Although Chekhov intended it as a comedy, and it does contain some elements of farce, Stanislavski insisted on directing the play as a tragedy. Since this initial production, directors have had to contend with the dual nature of the play. The play concerns an aristocratic Russian woman and her family as they return to their family estate (which includes a large and well-known cherry orchard) just before it is auctioned to pay the mortgage. While presented with options to save the estate, the family essentially does nothing and the play ends with the sale of the estate to the son of a former serf; the family leaves to the sound of the cherry orchard being cut down. The story presents themes of cultural futility both the futile attempts of the aristocracy to maintain its status and of the bourgeoisie to find meaning in its newfound materialism. In reflecting the socio-economic forces at work in Russia at the turn of the 20th century, including the rise of the middle class after the abolition of serfdom in the mid-19th century and the sinking of the aristocracy, the play reflects forces at work around the globe in that period.

Conclusion

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