When you want to find rock vinyl records stereo, you may need to consider between many choices. Finding the best rock vinyl records stereo is not an easy task. In this post, we create a very short list about top 8 the best rock vinyl records stereo for you. You can check detail product features, product specifications and also our voting for each product. Let’s start with following top 8 rock vinyl records stereo:
Best rock vinyl records stereo
![Sgt. Pepper's Lonely Hearts Club Band [LP] [2017 Stereo Mix]](https://m.media-amazon.com/images/I/61VyJLPSJvL._SL500_.jpg)
![Death By Stereo [LP]](https://images-na.ssl-images-amazon.com/images/I/614TAypDGsL.jpg)
1. The Beatles Stereo Vinyl Box Set
Feature
includes 14 Beatles albums in stereopressed on 180g vinyl
LPs sourced from original master tapes
252 page, 12" x 12" full color, hardcover book
Description
Albums included:Please Please Me
With The Beatles
A Hard Day's Night
Beatles For Sale
Help!
Rubber Soul
Revolver
Sgt. Pepper's Lonely Hearts Club Band
Magical Mystery Tour
The Beatles (The White Album) (2LP)
Yellow Submarine
Let It Be
Abbey Road
Past Masters (2LP) The Beatles' acclaimed original studio album remasters, released on CD in 2009, make their long-awaited stereo vinyl debut.
Manufactured on 180-gram, audiophile quality vinyl with replicated artwork, the 14 albums return to their original glory with details including the poster in The Beatles (The White Album), the Sgt. Pepper's Lonely Heart Club Band's cut-outs, and special inner bags for some of the titles. The albums are accompanied by a stunning, elegantly designed 252-page hardbound book in a lavish boxed edition which is being in limited quantities worldwide.
The book, exclusive to the boxed edition, is authored by award-winning radio producer Kevin Howlett and features a dedicated chapter for each of the albums, as well as insight into the creation of the remasters and how the vinyl albums were prepared. The 12"x12" book showcases a wealth of photographs spanning The Beatles' recording career, including many images which were not included in the 2009 CD booklets.
The titles include The Beatles' 12 original UK albums, first released between 1963 and 1970, the US-originated Magical Mystery Tour, now part of the group's core catalogue, and Past Masters, Volumes One & Two, first released individually in 1988, featuring non-album A-sides and B-sides, EP tracks and rarities. With this release, The Beatles' first four albums make their North American stereo vinyl debuts.
There has always been demand for The Beatles' albums on vinyl. Indeed, 2011's best-selling vinyl LP in the United States was Abbey Road. Following the success of The Beatles' acclaimed, GRAMMY Award-winning 2009 CD remasters, it was decided that the sound experts at EMI's Abbey Road Studios should create new versions of The Beatles' vinyl LPs. The project demanded the same meticulous approach taken for the CD releases, and the brief was a simple one: cut the digital remasters to vinyl with an absolute minimum of compromise to the sound. However, the process involved to do that was far from simple.
The first stage in transferring the sound of a master recording to vinyl is the creation of a disc to be used during vinyl manufacture. There were two options to consider. A Direct Metal Master (DMM), developed in the late seventies, allows sound to be cut directly into a stainless steel disc coated with a hard copper alloy. The older, alternative method is to cut the sound into the soft lacquer coating on a nickel disc - the first of several steps leading to the production of a stamper to press the vinyl.
A 'blind' listening test was arranged to choose between a 'lacquer' or 'copper' cut. Using both methods, A Hard Day's Night was pressed with ten seconds of silence at the beginning and end of each side. This allowed not only the reproduction of the music to be assessed, but also the noise made by the vinyl itself. After much discussion, two factors swung the decision towards using the lacquer process. First, it was judged to create a warmer sound than a DMM. Secondly, there was a practical advantage of having 'blank' discs of a consistent quality when cutting lacquers.
The next step was to use the Neumann VMS80 cutting lathe at Abbey Road. Following thorough mechanical and electrical tests to ensure it was operating in peak condition, engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was also decided to use the remasters that had not undergone 'limiting' - a procedure to increase the sound level, which is deemed necessary for most current pop CDs.
Having made initial test cuts, Magee pinpointed any sound problems that can occur during playback of vinyl records. To rectify them, changes were made to the remasters with a Digital Audio Workstation. For example, each vinyl album was listened to for any 'sibilant episodes' - vocal distortion that can occur on consonant sounds such as S and T. These were corrected by reducing the level in the very small portion of sound causing the undesired effect. Similarly, any likelihood of 'inner-groove distortion' was addressed. As the stylus approaches the centre of the record, it is liable to track the groove less accurately. This can affect the high-middle frequencies, producing a 'mushy' sound particularly noticeable on vocals. Using what Magee has described as 'surgical EQ,' problem frequencies were identified and reduced in level to compensate for this.
The last phase of the vinyl mastering process began with the arrival of the first batches of test pressings made from master lacquers that had been sent to the two pressing plant factories. Stringent quality tests identified any noise or click appearing on more than one test pressing in the same place. If this happened, it was clear that the undesired sounds had been introduced either during the cutting or the pressing stage and so the test records were rejected. In the quest to achieve the highest quality possible, the Abbey Road team worked closely with the pressing factories and the manufacturers of the lacquer and cutting styli.
An additional and unusual challenge was to ensure the proper playback of the sounds embedded in the 'lock-groove' at the end of side two of Sgt. Pepper's Lonely Hearts Club Band. Requiring a combination of good timing and luck, it had always been a lengthy and costly process to make it work properly. In fact, it was so tricky, it had never been attempted for American pressings of the LP. Naturally, Sean Magee and the team perfected this and the garbled message is heard as originally intended on the remastered Sgt. Pepper LP.
2. Sgt. Pepper's Lonely Hearts Club Band [LP] [2017 Stereo Mix]
Feature
Shrink-wrappedDescription
Sgt. Pepper's Lonely Hearts Club Band's 2017 stereo mix as a 1-LP 180-gram black vinyl. Produced by Giles Martin for this year's universally heralded 'Sgt. Pepper' Anniversary Edition releases, the album's new stereo mix was sourced directly from the original four-track session tapes and guided by the original, Beatles-preferred mono mix produced by Giles' father, George Martin. Praised by fans and music critics around the world, The Beatles' 'Sgt. Pepper' Anniversary Edition is 2017's most celebrated historical music release and an ideal gift for Beatle People here, there, and everywhere.3. Soda Stereo
Feature
Label Music On Vinyl180 Gram Vinyl Record - LP - New
Track Listing
LP 1
1. Por Qu No Puedo Ser Del Jet-Set
2. Sobredosis De T.V.
3. Te Hacen Falta Vitaminas
4. Tratame Suavemente
5. Dietetico
6. Tele-Ka
7. Ni Un Segundo
8. Un Misil En Mi Placard
9. El Tiempo Es Dinero
10. Afrodisiacos
11. Mi Novia Tiene Biceps
Description
England had The Police, United States had Blondie... and Argentina had Soda Stereo, one of the greatest bands of the new wave explosion and without any doubt one of the most important in the history of Rock in Spanish. Their debut was a refreshing breath of modernity and smart lyrics: produced by Federico Moura (leader of Virus), the album contained strong attacks against the lack of control of the consumer society, and it was sarcastically launched at a local fast food chain. Soon it was awarded Platinum in Argentina and Peru, and Double Platinum in Chile, making it an essential title to understand modern music in Latin America.4. Moving In Stereo: The Best of the Cars (2LP 180 Gram Vinyl)
Description
2-LP set on 180-gram vinyl The collection is produced by the band, with all surviving members contributing to song selection. Ocasek also supervised digital remastering of all the audio with Ted Jensen at Sterling Sound.The collection features the band's big hits along with a rare, single mix for "I'm Not The One," as well as a live version of "Everything You Say," and a new mix by producer Philippe Zdar of "Sad Song," a track from the band's last album, 2011's Move Like This.
5. Death By Stereo [LP]
Feature
Ships in Certified Frustration-Free PackagingDescription
Chicago-based Umphrey's McGee returns this fall with a new studio album, Death By Stereo, available on 9/13 via ATO Records. Over the past 13 years, the group has built a rabid fan base through endless touring and more than 120 shows a year. They have released 11 albums, nearly every live show for 6+ years and sold more than 1.5 million digital tracks. Death By Stereo is the much-anticipated followup album to their critically-acclaimed 2009 studio release Mantis, which was praised in top outlets like Rolling Stone, The New York Times and The Washington Post. Mantis included a groundbreaking pre-order campaign, which sold over 8000 units in the first week and debuted at #62 on the Billboard chart.Death By Stereo is a hybrid of what makes Umphrey's McGee so appealing to a wide spectrum of music fans. Filled with a healthy combination of focused, hard-hitting rock songs & head bobbing, groove-driven tracks, the record has something for everybody. The new album features a smattering of road-tested fan favorites as well as some of the slickest, unreleased compositions the band has released to date.
Umphrey's McGee's constantly evolving sound channels a wide spectrum of influences while still preselVing their distinct voice through crafty songwriting. With a massive repertoire of originals and note-perlect covers, their live shows are like flipping through the presets on your radio dial. Their A.DD. approach to ''progressive improvisation'' utilizes a set of Zappa-inspired hand signals allowing them to orchestrate their melodic creations on the fly.
6. Jensen JMC1250 Bluetooth 3-Speed Stereo Turntable and 3 CD Changer with Dual Cassette Deck
Feature
Refer the FAQ below for troubleshootingMP3 CD and CD-R/RW Compatible, Skip/Search Forward and Back, Repeat 1/Single Disc/All Discs
Random Play, Programmable Memory, Multi-function Back-lit LCD Display
Clock Display/Sleep/Timer, Auto Stop Dual Cassette Deck, AM/FM Stereo Receiver with PLL Digital Tuning and 20AM + 20FM Presets, 5 Mode Preset EQ, Digital Volume Control, Dust Cover
**VERY IMPORTANT** Please Note: Kindly refer the User Manual especially manual page E-14 for better use.
Description
Jensen Bluetooth 3-Speed Stereo Turntable 3 CD Changer Music System with Dual Cassette Deck and Remote Control7. U2 - Rattle And Hum - 1988 Island Stereo 2LP rock vinyl
Description
U2 performs rock selections.8. Billy Joel: Greatest Hits, Volume 1 & 2
