Which is the best compressors music?

Finding your suitable compressors music is not easy. You may need consider between hundred or thousand products from many store. In this article, we make a short list of the best compressors music including detail information and customer reviews. Let’s find out which is your favorite one.

Best compressors music

Product	Features	Editor's score	Go to site
	FMR RNC 1773 Compressor Unit		Go to amazon.com
	ART Pro-VLA II Two Channel Vactrol-based Compressor		Go to amazon.com
	dbx 266xs Professional Audio Compressor/Gate Dynamic Processor		Go to amazon.com
	Dangerous Music COMPRESSOR		Go to amazon.com
	dbx 1066 Dual Compressor/Limiter/Gate		Go to amazon.com
	Behringer Composer Pro-XL MDX2600 Reference-Class 2-Channel Expander/Gate/Compressor/Peak Limiter		Go to amazon.com
	Tascam TA1VP Rackmount Vocal Producer Processor With Antares Autotune		Go to amazon.com
	MXR M87 Bass Compressor		Go to amazon.com
	Music		Go to amazon.com

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1. FMR RNC 1773 Compressor Unit

Feature

Size: 1/3 x 1 EIA rack unit
Connectors: 1/4" Unbalanced I/O (TS, or TRS forconsole inserts); L/R in & out, TRS sidechain
Controls and Displays
Operating Level: 0.775 Vrms (0 dBu) nominal
Noise: Less than -90dBu over 20-20kHz

Description

The RNC1773 Really Nice Compressor from FMR Audio is a stereo compressor in a 1/3 rack size which offers a high-fidelity audio path and versatile compression schemes, to help you control the level of vocals or create dynamic special effects for percussive instruments. The RNC1773 provides two modes of operation, controlled with five parameters. The Normal mode lets you set the compression's attack and release times to achieve snappy snares and popping basses. The Super Nice mode cascades three stereo compressors in series, reducing compression artifacts and producing near-invisible compression for natural-sounding vocals, acoustic guitars, program bus, and more. The Really Nice Compressor employs a microprocessor to replace analog components which can cause scratchy pot and switch problems. No audio flows through the front panel controls, giving you the accuracy and precision of digital control with the clean tonal character of an all-analog signal path. The unit comes with a sidechain input to make your sounds cut through the mix. Stereo compressor in 1/3 rack size, with high-fidelity audio path and compression scheme Normal mode for serious signal squashing very fast attack times allow positive control of percussive sources Super Nice mode for near-invisible compression this mode cascades three stereo compressors in series to reduce compression artifacts 5 parameter controls with attack and release Digital controls no audio flows through front panel controls, permitting short audio runs to avoid hum/noise pickup, and for accurate repeatability of your favorite settings Single 1/4 TRS-cable attachment to insert jacks 1/4 TRS sidechain insert for special effects Rugged, extruded aluminum and electro-galvanized steel enclosure Rack-mountable design0

2. ART Pro-VLA II Two Channel Vactrol-based Compressor

Feature

VCA-Less Vactrol Opto-Compression Design, Mastering Quality Audio Signal Path with Tube Gain Stage, Variable Threshold, Ratio & Output Controls
Enhanced Link Mode - While in stereo link mode, channel 1 level control acts as a master output level and channel 2 becomes a balance control between them, - optimizing the Pro-VLA II for use as a mastering tool
LED Backlit VU Input/Output Level Metering Indicates Both Average Level And Peak Hold
Accurate Ten Segment LED Gain Reduction Metering. +4dBu/-10dBu Mode Switch Optimizes Pro-VLA II For Interface with Professional OR Consumer Grade Components
Active Balanced XLR And -Inch Inputs & Outputs. Toroidal Transformer Reduces Mechanical & Electrical Hum

Description

2-channel Leveling Amplifier/Compressor with Optical Compression, Tube Gain Stage, and Mastering-quality Audio Path

3. dbx 266xs Professional Audio Compressor/Gate Dynamic Processor

Feature

Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
New gate timing algorithms ensure the smoothest release characteristics
Program-adaptive expander/gates
Great sounding dynamics control for any type of program material
Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
Inputs: " TRS and female XLR (pin 2 hot)
Outputs: " TRS and female XLR (pin 2 hot)

Description

Adding a dbx 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. dbx knows compressors. after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy compression technology provides smooth and musical performance while the AutoDynamic attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.

4. Dangerous Music COMPRESSOR

Feature

Simple to use features for radio-ready results
Smart Dyn Dual Slope Detection
Auto Attack/Release function
Performs like an automated fader, no more drawing vocal rides
True Stereo Dual Detector

Description

2-channel Compressor with Auto Attack/Release, Smart Dynamics Dual-slope Detection, and Active Sidechain Send/Return Circuitry

5. dbx 1066 Dual Compressor/Limiter/Gate

Feature

Selectable auto (classic dbx) or manual (variable Attack and Release) compression
Contour switch removes unwanted low frequency information from detector circuit
Selectable Overeasy or Hard Knee compression modes
PeakStopPlus limiting for setting maximum allowable level with minimal distortion
SC Ext and SC Mon for setting up and monitoring external devices for gating function

Description

After producing the world's most renown series of compressors, the task of producing a new compressor worthy of our reputation would be daunting for most engineers. Not for dbx. Our engineers know audio like no one else in the world. Now the fruits of their talents are available to you in the form of the 1066 Stereo Compressor/Limiter/Gate. Want to instantly add that classic dbx response to your mix? It's there at the touch of the "Auto" button. Or use the independent Attack and Release controls to tailor the 1066 to your specific needs. Unwanted frequencies or mic bleed in the signal path? Frequency dependent gain control is a snap to set up and execute with our Side Chain External button (SC Ext). Use the Side Chain Monitor button (SC Mon) and your favorite EQ to dial in the specific frequencies you want to trigger the device. As has become our standard, the contour switch allows entire mixes to be easily smoothed with soft compression while keeping low frequencies from punching holes in the overall mix. Selectable input and output metering allow you to make sure that everything is matched up level-wise, maximizing your signal-to-noise ratio.

6. Behringer Composer Pro-XL MDX2600 Reference-Class 2-Channel Expander/Gate/Compressor/Peak Limiter

Feature

Switchable IKA (Interactive Knee Adaptation) program-adaptive compression circuitry combines the advantages of hard-knee and soft-knee characteristics
Integrated De-esser with switchable male/female voice recognition removes excessive sibilance from your vocal tracks
IGC (Interactive Gain Control) peak limiting circuitry combines clipper and program limiter for reliable and inaudible protection against signal peaks
Switchable dynamic Enhancer for brilliant, lively audio even with heavy compression
IRC (Interactive Ratio Control) expander/gate circuitry for virtually inaudible noise suppression

Description

7. Tascam TA1VP Rackmount Vocal Producer Processor With Antares Autotune

Feature

Antares Auto-Tune Real-time Pitch Correction
Antares Microphone Modeling
Analog Tube Modeling
Variable Knee Compressor
Downward Expanding Gate

Description

The TASCAM TA-1VP vocal processor was co-developed with Antares Audio Technologies to bring together everything you need for a polished, modern vocal sound. The rackmount processor includes a microphone preamp, compression, de-essing, microphone & tube modeling and Antares world-famous Auto-Tune pitch correction. Perfect for live performance, house of worship or studio use, the TA-1VP brings your vocal sound into the 21st century. A high-quality XLR microphone input is provided on the TA-1VP front panel, with phantom power for condenser mics. Processing is laid out in simple-to-use blocks on the front panel, each with dedicated buttons and meters to show you exactly whats being done to the signal. Antares microphone and tube modeling takes the input signal and gives it the character of another microphone, with a library of classics to choose from. The De-essing module removes sibilance from your signal before variable-knee compression and gating. A great-sounding digital EQ is last in the chain before output. The Auto-Tune module can be set for any level of pitch correction, in a variey of user-selectable scales. All settings can be recalled through presets on the front panel or through MIDI. Balanced TRS input and outputs are located on the rear panel, including a Double Track out for simulating doubled vocals. A S/PDIF digital output is also provided. Built for every audio application from live performance to studio mixdown, TASCAMs TA-1VP is the only hardware processor with Auto-Tune technology for flawless vocal intonation.

8. MXR M87 Bass Compressor

Feature

CHT Constant Headroom Technology for clear, clean performance
True bypass
10 gain-reduction status LEDs
Its CHT Constant Headroom Technology gives you plenty of headroom and clear performance
The totally transparent M87 Bass Compressor allows your full dynamic range to shine through until your signal reaches the compression threshold, which is indicated by the ten highly visible gain-reduction status LEDs

Description

MXR's M87 Bass Compressor puts studio-grade bass compression right on your pedalboard! You'll love how the M87 puts you in complete command of compression functions, thanks to attack, release, ratio, input, and output controls. The built-in Constant Headroom Technology (CHT) ensures plenty of headroom. You want your bass to retain its character, even during the most energized moments. The M87's transparency never lets the compression compromise your sound. Ten easy-to-see gain-status LEDs let you know when the compression threshold has been reached. Take studio-quality bass tones to the stage, with the M87 Bass Compressor! MXR M87 Bass Compressor Pedal Features: CHT Constant Headroom Technology for clear, clean performance True bypass 10 gain-reduction status LEDs Attack, release, ratio, input, and output controls Lightweight, tough aluminum housing Pedalboard-friendly footprint

9. Music

Conclusion

By our suggestions above, we hope that you can found the best compressors music for you. Please don't forget to share your experience by comment in this post. Thank you!